Different processes and techniques require specific spaces, equipment , materials and technicians.
I work out of studios in and out of London. I can book into the screen studios if I have a project, others, like the etching studios are like old friends – I can nip in and out 24 hrs a day. It can be lonely being an artist so I especially love being part of a busy studio, where one idea flows into another very quickly.
Juggling studios is key to my unique style and techniques. It gives me thinking time away from the work and if I get stuck I don’t have the pressure of finishing a piece before I can move on.
I also think it is important to make time to step back and to just really look and question what you are doing. I have my own etching press and painting studio too in a rural farmhouse – it’s a wonderful space where where I can pause and think.
I always have multiple works on the go in a variety of techniques, oil on board paintings and works on paper – sometimes pieces are not touched for months or years but I look and think about them. I frequently get asked how long a piece has taken and I can genuinely say, 15 years or more!