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Maala (Series I)

 

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 Do you have a large wall?

The latest Maala I screenprint is 184 x 147cm unframed | 202 x 167 x 4cm framed

Edition of 5  (4 available)

Printed at Coriander Studio, where the likes of Hurst, Emin, Chapman, Blake, Turk and McLean usually keep the technicians busy, on one of the largest screen printing tables in the country.  
A thrill to work on such an unusually large piece, there were some terrifying moments and some funny ones too.

Available to view and try in situ  – please enquire 



 

Categories: Affordable Art Fair | Battersea Park 16-20 Oct, Chhatris & Maala, Just framed!, Works for large spaces Tags: #architectural, #Chhatris, #circular, #Etching, #NEWWORK, #UniqueWork, Maala

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Enquiry about Maala (Series I)

  • Description
  • Additional information

Chhatris are the raised onion-domed pavilions found throughout India, but most particularly at funerary sites, where they are raised over the cremation of distinguished or aristocratic individuals.

Often ornate, intricately carved or painted, chhatris are a defining element of North Indian architecture, incorporating Hindu and Mughal design, and especially evocative of the culture of Rajasthan. For Natasha Kumar they are a constant inspiration for her work.

The Maalas are an extension of the Chhatris series and are based on moods or feeling at the different times of day.
Maala means garland. In the Maala series, each work of the garland evokes a range of moods through bold pink and orange, russet and turquoise, the colours of everyday life in Rajasthan.

Additional information

Colour

Grey, White

Related products

  • Rasa Lila Triptych

  • Carved Jali Series (Gehra Neela | Dark Blue)

  • Royal Chhatris (22 carat gold & rose pink)

  • Choti Jali Triptych (Cinnabar red with 23 carat Russian Red Gold)

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Featured Products

  • Carved Jali Series (Gehra Neela | Dark Blue) Please enquire for price details
  • Govardhan Series II Please enquire for price details

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Natasha Kumar
e: info@natashakumar.co.uk

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Acrobat’s wife Maala (Series III)
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